> Introduction
I’ve spent 3 decades in the creative consulting game. I started as a designer, became a business owner, sold that business to a larger design organisation, became Head of Design, almost burned out, stepped back deliberately, and then built something new on my own terms. Along the way I’ve worked across the UK and abroad, across markets, cultures and contexts that have shaped how I think about design, creativity and the
people who practice both.
Throughout all of it, the one constant filter on every decision has been family. I’ve turned down juicy roles because of horrible commutes. I’ve walked away from equity because of what the job was doing to the people at home. I’ve always valued time with my daughters over title, salary or security. I don’t regret any of it for a second.
I now work full time as Director of Device Technology at Össur – a prosthetics and orthotics company (part of Embla Medical). A deliberate move toward depth, purpose and human-centred product development after three decades in consultancy.
FourBeards continues alongside that, as a platform for writing, mentoring and the occasional act of industry provocation. If you’re here because you’d like an honest conversation about your creative career or business, I’m still very much open to that.

> Introduction
I’ve spent 3 decades in the creative consulting game. I started as a designer, became a business owner, sold that business to a larger design organisation, became Head of Design, almost burned out, stepped back deliberately, and then built something new on my own terms. Along the way I’ve worked across the UK and abroad, across markets, cultures and contexts that have shaped how I think about design, creativity and the
people who practice both.
Throughout all of it, the one constant filter on every decision has been family. I’ve turned down illustrious roles because of horrible commutes. I’ve walked away from equity because of what the job was doing to the people at home. I’ve always valued time with my daughters over title, salary or security. I don’t regret any of it for a second.
I now work full time as Director of Device Technology at Össur – a prosthetics and orthotics company (part of Embla Medical). A deliberate move toward depth, purpose and human-centred product development after three decades in consultancy.
FourBeards continues alongside that, as a platform for writing, mentoring and the occasional act of industry provocation.
If you’re here because you’d like an honest conversation about your creative career or business, I’m still very much open to that.


> If you’d like to connect…
> How I think
> Character testimonials
I have a fairly low tolerance for bluster.
The creative industry is full of it. The polished pitch, the process deck, the carefully curated case study that bears limited resemblance to what actually happened. I’ve spent enough time inside agencies, running them and watching them to know that the gap between how the industry presents itself and how it actually works is considerable.
That’s what most of the writing here is about. Not tearing the industry down. I still believe in what design and creativity can deliver when given the space to do it properly, but more about peeling back the veneer. Saying the thing that tends to go unsaid in polished talks, LinkedIn boasts and website spin. Talking about the hard bits, the unglamorous bits, the bits that don’t make it into the case study.
I write the same way that I talk. Which means it’s occasionally sweary, frequently opinionated and always honest. If that sounds like something you’d want to read, you’re in the right place and you are very welcome.
> How I think
I have a fairly low tolerance for bluster.
The creative industry is full of it. The polished pitch, the process deck, the carefully curated case study that bears limited resemblance to what actually happened. I’ve spent enough time inside agencies, running them and watching them to know that the gap between how the industry presents itself and how it actually works is considerable.
That’s what most of the writing here is about. Not tearing the industry down. I still believe in what design and creativity can deliver when given the space to do it properly, but more about peeling back the veneer. Saying the thing that tends to go unsaid in polished talks, LinkedIn boasts and website spin. Talking about the hard bits, the unglamorous bits, the bits that don’t make it into the case study.
I write the same way that I talk. Which means it’s occasionally sweary, frequently opinionated and always honest. If that sounds like something you’d want to read, you’re in the right place and you are very welcome.
> Character testimonials
> Client Experience
I’ve worked with a lot of different people over the years.
What has energised me most are the relationships I’ve built across the client/consultant divide and how, when done well, it can really help to solve big knotty challenges.
The sectors vary enormously. The underlying challenges rarely do. People, process, ambition and the gap between the three. That’s the constant.
Big brands aren’t the ‘be all and end all’, but it’s a simple enough way to communicate the breadth and depth of the work.
I’ve worked with a lot of different people over the years.
What has energised me most are the relationships I’ve built across the client/consultant divide and how, when done well, it can really help to solve big knotty challenges.
The sectors vary enormously. The underlying challenges rarely do. People, process, ambition and the gap between the three. That’s the constant.
Big brands aren’t the ‘be all and end all’, but it’s a simple enough way to communicate the breadth and depth of the work.
> Client Experience
What has energised me most are the relationships I’ve built across the client/consultant divide and how — when done well — it can really help to solve big knotty challenges.
The sectors vary enormously. The underlying challenges rarely do. People, process, ambition and the gap between the three — that’s the constant.
Big brands aren’t the ‘be all and end all’, but it’s a simple enough way to communicate the breadth and depth of the work.
> Frequently Asked Questions
The honest answer is that it left me before I left it, or at least the version of it I’d built a career around. The effort-reward equation shifted. The industry changed shape. And after thirty years of doing it at full speed, the signal to step back was clear enough that ignoring it felt dishonest. I’ve written about it in depth in an article called “¡Adiós! Magic Beans…”
Across the UK and abroad. In agency, consultancy and in-house environments, across markets ranging from healthcare and technology to food and beverage, consumer products and industrial. I ran my own studio (Square Banana Ltd.) for twelve years before merging it with Kinneir Dufort (now Ensera Design), where I became Head of Design. I now work as Director of Device Technology at Össur, a prosthetics and orthotics company. The full career arc is probably best understood through the writing rather than a list of job titles. For specifics, probably best to stalk my LinkedIn profile.
Probably not in the traditional sense. The Össur role represents a deliberate move toward depth and purpose rather than breadth and variety. FourBeards continues alongside that. The mentoring, the writing, the occasional advisory work, but the consultancy model of selling time and convincing clients to part with money for intangible things has run its course for me. But never say never. Just look at what it is front of you and make the best decision you can at the time for what you might need. When I left University I never intended to work in consultancy and have spent 30 years within it. I vowed never to work in London but I ended up doing so. I decided I would never set up a consultancy alone, but did it all by myself. Go figure.
Out of necessity and curiosity in equal measure. I stepped back from Kinneir Dufort in early 2020 as a result of impending burnout, just as COVID arrived, which was either terrible timing or perfect cover depending on how you look at it. I needed a vehicle to think, write and eventually re-engage with the industry on my own lean and agile terms. FourBeards was that vehicle. The name comes from a conversation with my family – the Four Beards – and a determination to ensure that they were always the focus of my endeavours.